Skip to main content

Cupid Painted Blind

Michael toed the fresh snow with his shoe, revealing the frozen black slush left from a week old storm. He pulled his jacket collar up over his bare neck and tried to look at nothing in particular.

Trying desperately to keep the coral rose in his left hand from sight, he carried on, continuing his way down the street along the uneven, un-shoveled sidewalk. He left a dissipating trail of breath behind him as well as a long line of footprints in the snow. Every step brought him closer and closer to her house and further and further away from contentment.

Shifting his grip on the flower, he caught a thorn on his index finger, drawing blood. The blood crept down, past his fingernail, the moisture inviting the cold to bite his finger. Such a bite as to cause Michael to wonder whose idea it was to give spring flowers to lovers in the middle of winter. It made little sense to him, but custom dictated his gift.

Well, he thought, perhaps not so much custom as the inevitable smile that it would bring her.

As he rounded the corner, his thoughts turned from flowers to fear: her boyfriend’s car was still in her driveway.

“Shit,” he told himself and tried to find a hidden purchase behind a gnarled maple tree, naked and asleep for the winter. Peeking out from behind the trunk he could see the exhaust billowing from the tailpipe, the car was running. Was he leaving or just arriving? Even though his hands were stiff and hard to use in the cold, he checked the last text message he’d gotten from her. “Valentines Lunch? 1:30?”

“Absolutely,” he’d replied.

“Good answer,” she’d shot back.

He checked the time on his phone and discovered that he was ten minutes early.

It wasn’t that he couldn’t explain being there, he and Sarah had been friends for years. It was the flower that he’d find hard to explain. He imagined himself strolling up to Luke and saying, “Hey. How’s it going? You heading back to work?”

“Yeah,” he’d reply. “I just stopped in to see Sarah for lunch.”

“That’s too bad. I don’t know if you know this, but we’re dating behind your back and I'm taking her to lunch. See? Here’s the flower I’m bringing her for Valentines Day.” Michael then imagined himself withdrawing a book from his coat pocket, “And this is my present for her. It’s a book of poetry and it’s beautiful and full of all the romance she lacks living with a putz like you. I’ve even personalized it with a love letter on the copyright page.”

And then he’d haul off and punch me in the face, Michael thought.

He smirked to himself, wondering if he’d ever have the brash arrogance to do something so definitive in his relationship with Sarah. The sound of a car door slamming shut roused him from his daydream.

The rest of this story is available in the collection "Cupid Painted Blind" available on Amazon for the Kindle.


Comments

Anonymous said…
Thanks for helping us keep short stories alive.

Terry Finley

http://terryrfinley.bravehost.com/
Juliette Tang said…
It's great seeing the work of other people in the short story community.

-Juliette Tang

http://myopictopics.blogspot.com
Bea said…
i think i hate duke (yea, yea, i know his name is luke).
that was really good, i could see everything as i read. and i loved the characters, they were so real!
bravo

Popular posts from this blog

Salt Lake Comic Con 2017 Schedule

It's time for another year of Salt Lake Comic Con and another hectic schedule for me. But! that doesn't mean it's not a helluva lot of fun. I hope you're able to join me at any of these panels. Especially if you like Star Wars. And please, please, please come to my signing and visit. Get some books signed. I'd love that enormously. Here is my Thursday schedule: Everything here is a highlight. That first panel about behind the scenes of the prequels is with Pablo Hidalgo and I'll be asking him questions about what it was like to be there on set for most of the prequels. Then I'll be asking questions of Michael Biehn, who I've been a fan of since I was a little kid. Aliens and Terminator were favorites. If you want to ask him a question, please hit me up on Twitter with it. I will ask it at the panel. And you don't want to miss Fauxthentic History's Infinity Gauntlet live episode. It's going to be soooo good. Here is Friday: ...

The Missed Opportunities of Days Gone By

“Hello?” I said into the phone, accepting the call from a number I didn’t recognize. “Hey,” the feminine voice on the other replied, as though I should know the sound of her voice. At a loss, I said, “Can I help you?” “It’s Brooke.” Her name stopped me. It couldn’t possibly be her. We hadn’t spoken in years, a decade perhaps. “Brooke?” “Yeah, Brooke Baker. This is Mark, right?” Jesus Christ. It was her. “Yeah, it is Mark. Brooke. Wow. How are you? It’s been a long time since… well… since anything.” “I know.” “So, how are you doing?” “Okay, I suppose…” Her voice belied her words, though. Something was up. “I… It’s just been so long and I guess I wanted to hear your voice.” “I don’t think I had a number for you. Ever. I offered a couple of times, but…” “I was a brat back then.” And that’s how a random phone call turned into a two-and-a-half hour catch-up session. We spoke of everything under the sun: people we still knew, how different we were, h...

Anatomy of a Scene: The Third Man

It's time again to break down a classic scene. One that's well-written and, in my view, a fine example of excellent craft. I've done some of these articles from books (like The End of the Affair   and Starship Troopers ) and other movies (like Citizen Kane , City Lights , Raiders of the Lost Ark , and Butch Cassidy and the Sundance Kid ), but now it's time to take a look at a scene from The Third Man . It blends the best of Orson Welles (as he's in the film and drives this scene) and Graham Greene, who wrote this particular screenplay. Before we get to the scene, we need some context. The Third Man is a tale of the black market in Vienna, just after World War II. It's about a cheap, dime-store Western novelist named Holly Martins (played by Joseph Cotton) and his friend Harry Lime (Orson Welles.) Lime offered Martins a job in Vienna, so Martins leaves America and arrives, only to find that Harry Lime is dead. Penniless, without a friend or reason to be...