The stories of Bryan Young

We all have different methods at getting us through those dark, dreary days of a first draft. They're not so dark, I find I actually have a lot of fun writing, otherwise I wouldn't do it, but sometimes you get stuck. When you get stuck, the worst thing you can do is just to give up. I'd never have completed a single manuscript if I gave up every time it got hard. Over the years, I've come up with little shortcuts to help me get through those times that are harder than others like we all do (or should do.) My brain sees stories as movies playing in my head. I came from a world of screenwriting and I'm a very visual, cinematic writer. That method of writing poses its own challenges since you can't just follow a logical chain of events in a novel the same way you would in a movie. At my most recent writing critique group (With Janine Spendlove and Aaron Allston ), I was torn a new asshole because of all of the random POV shifts in the rough draft of my manuscri

I had the chance to do an exhaustive interview with the author Max Allan Collins about his new book from Mickey Spillane's manuscript, The Consummata . It's a fantastic read and a sequel to the top selling Delta Force. For the portions of our interview regarding Spillane and The Consumatta, those will be appearing on The Huffington Post. For the portions of our conversation that had to do with Collins's time at DC Comics and writing Batman, they will be appearing on Big Shiny Robot . I'll link up to them as soon as they go up. This portion of the conversation had a lot to do with writing and the state of the book publishing world from a writers perspective, so I felt this was an appropriate forum for it. Bryan Young: How much of your time as a writer do you divide between producing collaborations with Spillane’s work, which are popular and excellent, and your own work which I think is just as unique and important for a reading audience? Max Allan Collins: I’ve