Cupid Painted Blind (among other things)

First off, I'd like to let you know that there is a new collection of shorts available exclusively for the Kindle called Cupid Painted Blind.

It contains four stories that longtime readers of the site will recognize: The Missed Opportunities of Days Gone By, A Friend Indeed, Cupid Painted Blind, and Some Wintery Reminiscence.

You can check it out here.

If you're interested in supporting me monetarily, you can pick it up for $2.99, though if you want to wait until next week, I'll be doing a giveaway promotion and you can support me by reading and reviewing it.

Second: I got a PDF of the essay I contributed to in Disinformation's You Are Still Being Lied To. You can check out the piece that I wrote (with Elias Pate and Steven Greenstreet) here, but you should check out the entire book. It has incredible and enlightening essays from guys like Douglas Rushkoff, Howard Zinn, and Noam Chomsky. Quite august company to keep.

Here's the PDF of our contribution: Cheap, Crappy Food = A Fat Population.

This was written on the heels of the documentary I produced, Killer at Large, which was about the American obesity epidemic. Look it up on Netflix.

Lastly, I want to thank everyone for coming to the signings on Saturday at Eborn books. I met a lot of great people and it was great to see people showing up to pick up my work. The big sellers were God Bless You, Mr Vonnegut (which was the first time it was available) and Man Against the Future, which makes sense given the crowd and the people I was signing next to.

That in itself was an off experience. I was signing books at the same table as Dave Farland who used to write Star Wars books as Dave Wolverton. And the first book I ever had signed was his Courtship of Princess Leia. To be sitting at a table signing books next to him almost 20 years later was an odd experience. Just as he was then, he was a terribly nice and encouraging guy.

I would be remiss if I didn't also mention that I signed with L.E. Modesitt and Paul Genesse who were both very great. It's always great to get together with writers and talk about writing in a way that you can't get anywhere else. We all have a different perspective on things and it recharges your batteries to do it.

Stay tuned for more stuff coming up later this month as well! And don't forget that Anime Salt Lake (of which I am a guest and conducting some panels on writing and publishing) is in just a couple of weeks.

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Salt Lake Comic Con 2017 Schedule

It's time for another year of Salt Lake Comic Con and another hectic schedule for me. But! that doesn't mean it's not a helluva lot of fun. I hope you're able to join me at any of these panels. Especially if you like Star Wars. And please, please, please come to my signing and visit. Get some books signed. I'd love that enormously. Here is my Thursday schedule: Everything here is a highlight. That first panel about behind the scenes of the prequels is with Pablo Hidalgo and I'll be asking him questions about what it was like to be there on set for most of the prequels. Then I'll be asking questions of Michael Biehn, who I've been a fan of since I was a little kid. Aliens and Terminator were favorites. If you want to ask him a question, please hit me up on Twitter with it. I will ask it at the panel. And you don't want to miss Fauxthentic History's Infinity Gauntlet live episode. It's going to be soooo good. Here is Friday: ...

The Missed Opportunities of Days Gone By

“Hello?” I said into the phone, accepting the call from a number I didn’t recognize. “Hey,” the feminine voice on the other replied, as though I should know the sound of her voice. At a loss, I said, “Can I help you?” “It’s Brooke.” Her name stopped me. It couldn’t possibly be her. We hadn’t spoken in years, a decade perhaps. “Brooke?” “Yeah, Brooke Baker. This is Mark, right?” Jesus Christ. It was her. “Yeah, it is Mark. Brooke. Wow. How are you? It’s been a long time since… well… since anything.” “I know.” “So, how are you doing?” “Okay, I suppose…” Her voice belied her words, though. Something was up. “I… It’s just been so long and I guess I wanted to hear your voice.” “I don’t think I had a number for you. Ever. I offered a couple of times, but…” “I was a brat back then.” And that’s how a random phone call turned into a two-and-a-half hour catch-up session. We spoke of everything under the sun: people we still knew, how different we were, h...

Anatomy of a Scene: The Third Man

It's time again to break down a classic scene. One that's well-written and, in my view, a fine example of excellent craft. I've done some of these articles from books (like The End of the Affair and Starship Troopers ) and other movies (like Citizen Kane , City Lights , Raiders of the Lost Ark , and Butch Cassidy and the Sundance Kid ), but now it's time to take a look at a scene from The Third Man . It blends the best of Orson Welles (as he's in the film and drives this scene) and Graham Greene, who wrote this particular screenplay. Before we get to the scene, we need some context. The Third Man is a tale of the black market in Vienna, just after World War II. It's about a cheap, dime-store Western novelist named Holly Martins (played by Joseph Cotton) and his friend Harry Lime (Orson Welles.) Lime offered Martins a job in Vienna, so Martins leaves America and arrives, only to find that Harry Lime is dead. Penniless, without a friend or reason to be...

The stories of Bryan Young

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