Skip to main content

A Children's Illustrated History of Presidential Assassination: Part 2


As I write this, there are about 30 hours left on the Kickstarter campaign for my next book, A Children's Illustrated History of Presidential Assassination.

We're currently 215% funded and climbing.

We've been in the news in a number of places:

First, we have The National Journal. Writer Marina Koren interviewed me for her piece in their White House section today. How to Explain Presidential Assassinations to Your Kids is a great, positive piece. They read the book, loved it,  and they even asked for a copy when the book is out. Then, the DCist wrote a great story about it, too, running some of Scout's art. Author Creates Illustrated History of Presidential Assassination For Kids. Some of the comments are pretty funny.

WatchPlayRead added a question mark to the title, A Children’s Illustrated History of Presidential Assassination?, and are very supportive.

Sadly, The DailyKos went straight to conspiracy theorist territory and assumed this book was some sort of manual to teach kids HOW to kill a president.

Then we've released a whole pile of art from the book by the talented Erin Kubinek. You can check it all out on the Kickstarter posts page here.

Then, we had a huge announcement this morning. Paul S. Kemp, New York Times Bestseller, Lawyer, and great guy all around, will be writing the introduction if we hit the proper funding level. You can check that update and his bio out here.

Things are heading in the right direction, but I still need your help. Over the next day, it's never been more important for you to either pre-order the book, or spread the word about it. Preferably both if you can.

The life of this project is dependent on what we can pull off in these next 30 hours. Thanks for helping. Truly and sincerely.

One more time, here's the link to the Kickstarter.


Comments

Popular posts from this blog

Salt Lake Comic Con 2017 Schedule

It's time for another year of Salt Lake Comic Con and another hectic schedule for me. But! that doesn't mean it's not a helluva lot of fun. I hope you're able to join me at any of these panels. Especially if you like Star Wars. And please, please, please come to my signing and visit. Get some books signed. I'd love that enormously. Here is my Thursday schedule: Everything here is a highlight. That first panel about behind the scenes of the prequels is with Pablo Hidalgo and I'll be asking him questions about what it was like to be there on set for most of the prequels. Then I'll be asking questions of Michael Biehn, who I've been a fan of since I was a little kid. Aliens and Terminator were favorites. If you want to ask him a question, please hit me up on Twitter with it. I will ask it at the panel. And you don't want to miss Fauxthentic History's Infinity Gauntlet live episode. It's going to be soooo good. Here is Friday: ...

The Missed Opportunities of Days Gone By

“Hello?” I said into the phone, accepting the call from a number I didn’t recognize. “Hey,” the feminine voice on the other replied, as though I should know the sound of her voice. At a loss, I said, “Can I help you?” “It’s Brooke.” Her name stopped me. It couldn’t possibly be her. We hadn’t spoken in years, a decade perhaps. “Brooke?” “Yeah, Brooke Baker. This is Mark, right?” Jesus Christ. It was her. “Yeah, it is Mark. Brooke. Wow. How are you? It’s been a long time since… well… since anything.” “I know.” “So, how are you doing?” “Okay, I suppose…” Her voice belied her words, though. Something was up. “I… It’s just been so long and I guess I wanted to hear your voice.” “I don’t think I had a number for you. Ever. I offered a couple of times, but…” “I was a brat back then.” And that’s how a random phone call turned into a two-and-a-half hour catch-up session. We spoke of everything under the sun: people we still knew, how different we were, h...

Anatomy of a Scene: The Third Man

It's time again to break down a classic scene. One that's well-written and, in my view, a fine example of excellent craft. I've done some of these articles from books (like The End of the Affair   and Starship Troopers ) and other movies (like Citizen Kane , City Lights , Raiders of the Lost Ark , and Butch Cassidy and the Sundance Kid ), but now it's time to take a look at a scene from The Third Man . It blends the best of Orson Welles (as he's in the film and drives this scene) and Graham Greene, who wrote this particular screenplay. Before we get to the scene, we need some context. The Third Man is a tale of the black market in Vienna, just after World War II. It's about a cheap, dime-store Western novelist named Holly Martins (played by Joseph Cotton) and his friend Harry Lime (Orson Welles.) Lime offered Martins a job in Vienna, so Martins leaves America and arrives, only to find that Harry Lime is dead. Penniless, without a friend or reason to be...