Skip to main content

Deciding on the Next Novel


Since I don't write licensed fiction (yet!), I often get asked how I pick my next novel project. I'm currently working on my 12th novel length work and I'm continually finishing one and then moving onto the next. I've been in a pretty constant pattern like this since my second book, which turned out to be Lost at the Con. 

I'm not sure how usual that is. It usually takes me less than a week or too, sometimes as little as a day, for me to choose my next novel project.

I know some writers take months between projects, gestating ideas, and I think that is a completely valid choice, but I need to keep momentum and be working every day or I feel listless. I need to be in the middle of writing  a novel to feel... comfortable? It's a bit like a security blanket for me.

For me to keep that pace, though, there are a lot of things I have to do.

First, I need to constantly be taking input. I read, on average, a book every week. I try to watch at least a few movies every week as well. I'm also constantly consuming news and history through podcasts and morning reports, etc. I can't generate any ideas if I'm not seeing everything else out there and taking in input. Reading and watching and listening to all of that material causes me to constantly think about story possibilities.

Second, I need to write and explore all of these ideas in my notebook every day. My time in my notebook is often spent coming up with battle plans for the day, reminiscing on the previous day's events, but, most importantly, I'm using that time to ask myself questions about all of that input. I ask myself questions about story structure, about story ideas, about things that capture my interest. And eventually, sooner or later, I'll hit upon an idea that I think would work as a novel. I'll write in my notebook every morning, then switch to my novel. Once I've hit upon an idea in my notebook, I'll work on outlining and work out small details for the next project.

By the time I finish my current work in progress, the hope is that I'll have enough material to dive right into the next book. Sometimes, as I'm working on the current novel, I'll plan out two or three novels and not be able to decide what is going to come next. Inevitably, the one that happens next is the one I feel like I have the most energy to tackle, but also the one that's going to challenge me the most.

I feel like if I'm not trying to challenge myself with each new project, I'm not learning anything. I think those who have been reading my books in beta form (or even finished form) can see an increase in my ability with every outing. And I'm still making leaps forward with every project.

So, that's how I pick my next project. It's not a glamorous endeavor, it's basically doing a lot of hard work all the time and never stopping. But it's the truth.

--

As for my writing recently, I had a chance to write a primer on Dr. Strange, so if you're interested in the film, here are some comics I wrote up for Salt Lake City Weekly.

A new episode of Fauxthentic History came out as well, the second part in our Naboo series.

--
As a reminder: You can join my short story Patreon here. 

The Aeronaut and Escape Vector are still out and still need your purchases and reviews. If nothing else, they can use you telling people about them. If you want signed copies, visit the shop here on this page.

As far as my work outside of all this: There's a lot of great stuff on Big Shiny Robot! and Full of Sith for you. 

And please, please, please don't forget to check out any of my books, drop reviews of them on Amazon or Goodreads, and follow me on twitter and Facebook!

Comments

Popular posts from this blog

Salt Lake Comic Con 2017 Schedule

It's time for another year of Salt Lake Comic Con and another hectic schedule for me. But! that doesn't mean it's not a helluva lot of fun. I hope you're able to join me at any of these panels. Especially if you like Star Wars. And please, please, please come to my signing and visit. Get some books signed. I'd love that enormously. Here is my Thursday schedule: Everything here is a highlight. That first panel about behind the scenes of the prequels is with Pablo Hidalgo and I'll be asking him questions about what it was like to be there on set for most of the prequels. Then I'll be asking questions of Michael Biehn, who I've been a fan of since I was a little kid. Aliens and Terminator were favorites. If you want to ask him a question, please hit me up on Twitter with it. I will ask it at the panel. And you don't want to miss Fauxthentic History's Infinity Gauntlet live episode. It's going to be soooo good. Here is Friday: ...

The Missed Opportunities of Days Gone By

“Hello?” I said into the phone, accepting the call from a number I didn’t recognize. “Hey,” the feminine voice on the other replied, as though I should know the sound of her voice. At a loss, I said, “Can I help you?” “It’s Brooke.” Her name stopped me. It couldn’t possibly be her. We hadn’t spoken in years, a decade perhaps. “Brooke?” “Yeah, Brooke Baker. This is Mark, right?” Jesus Christ. It was her. “Yeah, it is Mark. Brooke. Wow. How are you? It’s been a long time since… well… since anything.” “I know.” “So, how are you doing?” “Okay, I suppose…” Her voice belied her words, though. Something was up. “I… It’s just been so long and I guess I wanted to hear your voice.” “I don’t think I had a number for you. Ever. I offered a couple of times, but…” “I was a brat back then.” And that’s how a random phone call turned into a two-and-a-half hour catch-up session. We spoke of everything under the sun: people we still knew, how different we were, h...

Anatomy of a Scene: The Third Man

It's time again to break down a classic scene. One that's well-written and, in my view, a fine example of excellent craft. I've done some of these articles from books (like The End of the Affair   and Starship Troopers ) and other movies (like Citizen Kane , City Lights , Raiders of the Lost Ark , and Butch Cassidy and the Sundance Kid ), but now it's time to take a look at a scene from The Third Man . It blends the best of Orson Welles (as he's in the film and drives this scene) and Graham Greene, who wrote this particular screenplay. Before we get to the scene, we need some context. The Third Man is a tale of the black market in Vienna, just after World War II. It's about a cheap, dime-store Western novelist named Holly Martins (played by Joseph Cotton) and his friend Harry Lime (Orson Welles.) Lime offered Martins a job in Vienna, so Martins leaves America and arrives, only to find that Harry Lime is dead. Penniless, without a friend or reason to be...