Skip to main content

Writing is Listening


In many social situations, I'm a talker. I like to think of myself as a raconteur, but it's more just like I don't know how to shut up. At least in the right situation. I've done a lot and know just a little bit about so many different things, it's easy for me to find something to talk about with people. When I can come out of my social anxiety shell, I actually like talking to people. But there are times when I can't really talk, I don't have the energy, emotional or physical, to do it. Instead, I just drink in the surroundings.

I like to listen. I like to observe.

It's something we writers have to do. We have to take in all the input we can. And sometimes that means shutting the hell up and just listening. Listen to your friends tell their stories. Listen to how they talk about other people and describe them. Listen to the words they use. Listen to the emotion in people's voices as they're talking. Watch how they talk. What sorts of things they like to talk about. Listen to them tell the stories of others.

It's the same thing you need to do when you're reading. Take in every bit of data and store it. These are the sorts of things you can draw on when you're writing. Every bit of experience, information, data, they're all used to tell better stories the next time you're working on one.

I've learned a lot of how to listen in doing interviews. Interviews force you to search for questions that will get your subject to tell the best story possible. And they force you to listen to your subjects deeply, searching for follow up questions. It's almost never about the input you have to offer. That is something that teaches writers a great skill. Have a natural curiosity when you're talking to people and throw your ego out of the equation: don't worry so much about expressing your point of view, worry about hearing the best story you can.

To that end, I'm interested in hearing from any of you. Email me. Tell me about what you're writing. Tell me what you're working on. I want to listen.

I've noticed that just by listening, you can help people work through their stories. Just today, a friend was telling me that he was blocked on his story and I was asking him about the problems. Just by explaining to me what was wrong, he was able to pinpoint the issue and I didn't have to suggest anything, he'd solved the issue on his own.

There's a power in listening.

Learn to harness it for your craft.

You won't regret it.

--
I've written quite a bit lately. First, I have a piece that came out for Salt Lake City Weekly that they titled "Emperor Trumpatine."

StarWars.Com put out a piece I wrote about everything we know about Rogue One.

I've been busy writing other stuff as well, so look for it soon.

I also got to go to Skywalker Ranch and ILM over the weekend and that wasn't a small thing. I'll be writing about it more. But I'll probably tie it all up in my coverage of going to the premiere of Rogue One this weekend.

--

As a reminder: Please join my short story Patreon here.  Your contributions to the Patreon help me write more like this.

The Aeronaut and Escape Vector are still out and still need your purchases and reviews. If nothing else, they can use you telling people about them. If you want signed copies, visit the shop here on this page.

As far as my work outside of all this: There's a lot of great stuff on Big Shiny Robot! and Full of Sith for you. 

And please, please, please don't forget to check out any of my books, drop reviews of them on Amazon or Goodreads, and follow me on twitter and Facebook!

Comments

Post a Comment

Popular posts from this blog

Salt Lake Comic Con 2017 Schedule

It's time for another year of Salt Lake Comic Con and another hectic schedule for me. But! that doesn't mean it's not a helluva lot of fun. I hope you're able to join me at any of these panels. Especially if you like Star Wars. And please, please, please come to my signing and visit. Get some books signed. I'd love that enormously. Here is my Thursday schedule: Everything here is a highlight. That first panel about behind the scenes of the prequels is with Pablo Hidalgo and I'll be asking him questions about what it was like to be there on set for most of the prequels. Then I'll be asking questions of Michael Biehn, who I've been a fan of since I was a little kid. Aliens and Terminator were favorites. If you want to ask him a question, please hit me up on Twitter with it. I will ask it at the panel. And you don't want to miss Fauxthentic History's Infinity Gauntlet live episode. It's going to be soooo good. Here is Friday: ...
Post a Comment
Read more

The Missed Opportunities of Days Gone By

“Hello?” I said into the phone, accepting the call from a number I didn’t recognize. “Hey,” the feminine voice on the other replied, as though I should know the sound of her voice. At a loss, I said, “Can I help you?” “It’s Brooke.” Her name stopped me. It couldn’t possibly be her. We hadn’t spoken in years, a decade perhaps. “Brooke?” “Yeah, Brooke Baker. This is Mark, right?” Jesus Christ. It was her. “Yeah, it is Mark. Brooke. Wow. How are you? It’s been a long time since… well… since anything.” “I know.” “So, how are you doing?” “Okay, I suppose…” Her voice belied her words, though. Something was up. “I… It’s just been so long and I guess I wanted to hear your voice.” “I don’t think I had a number for you. Ever. I offered a couple of times, but…” “I was a brat back then.” And that’s how a random phone call turned into a two-and-a-half hour catch-up session. We spoke of everything under the sun: people we still knew, how different we were, h...
14 comments
Read more

Anatomy of a Scene: The Third Man

It's time again to break down a classic scene. One that's well-written and, in my view, a fine example of excellent craft. I've done some of these articles from books (like The End of the Affair   and Starship Troopers ) and other movies (like Citizen Kane , City Lights , Raiders of the Lost Ark , and Butch Cassidy and the Sundance Kid ), but now it's time to take a look at a scene from The Third Man . It blends the best of Orson Welles (as he's in the film and drives this scene) and Graham Greene, who wrote this particular screenplay. Before we get to the scene, we need some context. The Third Man is a tale of the black market in Vienna, just after World War II. It's about a cheap, dime-store Western novelist named Holly Martins (played by Joseph Cotton) and his friend Harry Lime (Orson Welles.) Lime offered Martins a job in Vienna, so Martins leaves America and arrives, only to find that Harry Lime is dead. Penniless, without a friend or reason to be...
Post a Comment
Read more